"... a new dance/percussion/chant meditation/ritual by Byron Au Yong, a composer whose multimedia works are as exquisite and imaginative as they are unclassifiable." Seattle Weekly
by Byron Au Yong
in collaboration with performers Kelsey Furuta, Karen Lindenberg, Karen Akada Sakata
Costumes by Michelle Kumata Hair/Make-up by Olivia Taguinod
Chinese Translation by Mike Au Yong
Created for the Seattle Asian Art Museum Fuller Garden Court for their Contemporary Bamboo Art Opening in May 2006
Supported in part by PONCHO Wallace Reader's Digest Fund The Boeing Company
Special thanks to Dominique Barni, Sarah Lin Bhatia, Karine Gama, Kale Kim, Peter Joon Park, Laura O'Quin, Kim Ruehl, Mindy Shi, Frank Jones & Laura Shapiro, Nelly & Fred Schaffner, Jean-Stephane, James Whetzel, Ying Zhou
Seven rites Uneven times Public trauma Private desires.
Unity from chaos Spring into summer Versatile yet strong Flying bamboo.
Piao Zhu is inspired by the legend of the Seven Sages of the Bamboo Grove -- a band of Chinese scholars and poets who met to escape political and societal duress during the 3rd century BCE. Kelsey Furuta, Karen Lindenberg, Karen Akada Sakata, and I have been working on this 21st century meditation for the Seattle Art Museum's Contemporary Art of Bamboo and A Northwest Summer Public Opening.
Piao Zhu is ultimately about overcoming obstacles. I think about the Capitol Hill shooter and suicide bombers. With this ceremony, my performers and I meditate on the horror and beauty of bending amidst turmoil, like bamboo in a storm.